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Things We Lost In The Fire

Things We Lost in the Fire steht für: Things We Lost in the Fire, Originaltitel von Eine neue Chance, US-amerikanisch-britischer Film von Susanne Bier (). Home Entertainment; Spieldauer: Minuten; Bonusmaterial: Sieben entfernte Szenen, Featurette: Eine Diskussion über „Things We Lost in the Fire“. Die Oscar-Preisträger Halle Berry und Benicio Del Toro spielen die Hauptrollen im Hollywood-Debüt "Eine neue Chance" der vielfach ausgezeichneten.

Things We Lost In The Fire Neuer Abschnitt

Ein Mann ist gestorben, obwohl er nur helfen wollte. Der Familienvater Brian Burke mischte sich auf der Straße in einen handgreiflichen Streit ein, versuchte zu schlichten - und wurde dabei selbst getötet. Für seine Ehefrau Audrey und seine beiden. Things We Lost in the Fire steht für: Things We Lost in the Fire, Originaltitel von Eine neue Chance, US-amerikanisch-britischer Film von Susanne Bier (). Home Entertainment; Spieldauer: Minuten; Bonusmaterial: Sieben entfernte Szenen, Featurette: Eine Diskussion über „Things We Lost in the Fire“. pinede.eu - Kaufen Sie Things We Lost in the Fire günstig ein. Qualifizierte Bestellungen werden kostenlos geliefert. Sie finden Rezensionen und Details zu​. Things We Lost in the Fire: Hoffnung Beginnt Mit Loslassen. (21)1 Std. 58 Min.​ Eine frisch Verwitwete lädt den problembeladenen besten Freund ihres​. »Things We Lost in the Fire«, der erste in den USA gedrehte Film der dänischen Regisseurin Susanne Bier (Open Hearts, Nach der Hochzeit), erzählt von der. Things We Lost in the Fire markiert das Hollywood-Debüt der dänischen Filmemacherin Susanne Bier (Open Hearts, Nach der Hochzeit). Die Regisseurin bleibt.

Things We Lost In The Fire

Things We Lost in the Fire steht für: Things We Lost in the Fire, Originaltitel von Eine neue Chance, US-amerikanisch-britischer Film von Susanne Bier (). »Things We Lost in the Fire«, der erste in den USA gedrehte Film der dänischen Regisseurin Susanne Bier (Open Hearts, Nach der Hochzeit), erzählt von der. Ein Mann ist gestorben, obwohl er nur helfen wollte. Der Familienvater Brian Burke mischte sich auf der Straße in einen handgreiflichen Streit ein, versuchte zu schlichten - und wurde dabei selbst getötet. Für seine Ehefrau Audrey und seine beiden. It is up to us to decide whether these spect A small piece of advice: don't read this book before going to bed. About the old man, who burned medical books out by the empty chicken coop, in the backyard. Fans of horror will not be disappointed. I found their voices to be monotonous and, given all their attempts at subversiveness, surprisingly banal. I don't have much to add An Meine Tochter my original Franklyn – Die Wahrheit Trägt Viele Masken below, but this reread has made me bump it up to the full five stars, so I thought I ought to say a bit about why. The setting for these stories is in various cities in Argentina, including Buenos Aires, Lanus, and Corrientes. In this book, Argentina itself is haunted, a country haunted by history. And then, prepare yourself. Things We Lost In The Fire

As he gradually turns his life around, he helps the family cope and confront their loss. Director: Susanne Bier. Writer: Allan Loeb.

Added to Watchlist. From metacritic. Underrated gems. My List of Grief Movies. Maternal Themes. Use the HTML below.

You must be a registered user to use the IMDb rating plugin. Edit Cast Cast overview, first billed only: Halle Berry Audrey Burke Benicio Del Toro Jerry Sunborne David Duchovny Brian Burke Alexis Llewellyn Harper Burke Micah Berry Dory Burke John Carroll Lynch Howard Glassman Alison Lohman Kelly Robin Weigert Brenda Omar Benson Miller Neal Paula Newsome Diane Sarah Dubrovsky Spring Maureen Thomas Grandma Ginnie Burke Patricia Harras Howard's Wife V.

Edit Storyline Grief, recovery, and human contact. Genres: Drama. Edit Did You Know? Trivia Release prints were shipped to some theaters under the fake title "Water".

Goofs When Jerry meets Kelly, he unlocks his bike and turns it degrees, but when he rides away on the sidewalk, he is headed the original direction in which the bike was parked.

Quotes Audrey Burke : Why wasn't it you, Jerry? Why wasn't it you? Was this review helpful to you? Yes No Report this.

Add the first question. Language: English. Runtime: min. Color: Color. Edit page. November Streaming Picks.

Holiday Picks. What to Stream on Prime Video. Clear your history. Audrey Burke. Jerry Sunborne. At first Harper, who has come to love Jerry as much she did her father, is angry that he is leaving.

But after he leaves her a heartfelt note she accepts that he is going. Jerry is still struggling with his addiction but seems to be well on his way to recovery.

He leaves red flowers on Audrey's doorstep with a note that reads "Accept the good," a phrase which Jerry himself had told Brian, and that Brian had subsequently said to Audrey many times.

The site's critical consensus reads, " Things We Lost in the Fire is a well-acted, beautifully filmed reflection on love, loss, addiction and recovery from life's obstacles.

Josh Rosenblatt of The Austin Chronicle gave the film 4 stars and said the film is "an impeccably constructed and perfectly paced drama of domestic and internal volatility.

For the rest of us, Bier's directorial tics are beginning to wear thin Claudia Puig of USA Today gave the film 3 stars out of 4 and said "The movie makes some missteps, most of them in pacing and length, and the story veers occasionally into melodrama, but it is saved by the powerful performance of Benicio del Toro", calling him "hypnotically watchable.

A Blu-ray version was released on March 24, From Wikipedia, the free encyclopedia. Theatrical release poster. Release date.

Running time. The Numbers. Retrieved Box Office Mojo. Retrieved Dec. Rotten Tomatoes. The Austin Chronicle. New York Daily News.

Los Angeles Daily News. Archived from the original on USA Today. The Wall Street Journal.

Mai Susanne Bier. Zweier ohne. Die Regisseurin nähere Daredevil 2003 auf Moonrise Kingdom erfrischende Weise konventionellen Themen, aber die Geschichte biete nur eingeschränkte dramaturgische Möglichkeiten. Fatima Al Banswi.

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Things We Lost in The Fire - O Segredo Na Floresta PMV [SPOILERS] Hessischer Emilia Clarke und Rodin Film Schade, dass das Gute oft so langweilig ist. Oktoberin Deutschland am Suche Suche. Sherlock Holmes — Spiel The Affair Serie Schatten. John Goodman. Hessischen Film- und Kinopreis bekannt gegeben. Hasta la vista.

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Gesaffelstein \u0026 The Weeknd - Lost in the Fire (Official Video) Things We Lost In The Fire

Deliciously dark and disturbing. I don't have much to add to my original review below, but this reread has made me bump it up to the full five stars, so I thought I ought to say a bit about why.

Most of all, it's that this book has stayed with me. I think about it all the time. I recommend it often. I remember the way certain stories made me feel, and I remember specific details from others.

All surefire signs of a favou Pandemic rereads 6 It's hard to believe it's been three years since I first read Things We Lost in the Fire.

All surefire signs of a favourite. But the collection as a whole rises above these flaws. Ghosts, haunted houses and unexplained events appear throughout these stories, but they aren't necessarily horror as much as they are simply dark.

Often suffused with the threat of real violence as well as supernatural terror, they touch on the hidden tensions and agonies of a country with a turbulent past roiling just beneath the visible surface.

In this book, Argentina itself is haunted, a country haunted by history. In 'The Inn', a character is sacked because he has been telling tourists the true history of the town's inn, something its owner is keen to conceal.

In 'Spiderweb', a burning house is seen from a plane, and minutes later there is only scorched earth; a woman runs out in front of a car and disappears, and the driver later learns a nearby bridge is rumoured to contain the skeletons of those murdered and hidden by the military.

In 'Under the Black Water', the Riachuelo river is made monstrous by years of pollution, tradesmen dumping waste and police dumping bodies.

Several of the stories contain sudden disappearances that remain unresolved — uncanny echoes of the phenomenon of 'the disappeared' caused by the Dirty War.

Time and time again, the stories cut off in what seems to be the middle of the most intriguing part, and end without explaining what has happened. In the best cases, as with 'Adela's House', this lack of explanation is itself a resolution, the absence of an answer being the most terrifying possible conclusion.

In the worst cases, it feels like the stories have been erroneously published with bits missing. However, the quality of description and storytelling are so high that 'the worst' are still more than worth your time.

Beautifully translated, with a crisp style that makes it difficult to believe these stories weren't originally written in English, Things We Lost in the Fire is a powerful, memorable collection.

Every story seems to have multiple layers, making them perfect for critical analysis and discussion. Dirty Kid A young woman, who we infer is middle-class, lives in her family's old home in what has become an unpleasant and dangerous neighbourhood.

She often sees a woman who lives on the street with her young son. One day, the boy knocks on her door alone, and the narrator — reluctant to let him into her house — takes him to get ice cream.

She later manages to reunite him with his mother, who reacts with rabid fury. The next day, a little boy is found raped, murdered and dismembered.

The sheer horrifying violence of his death is a shock, and it heightens the narrator's sense of terrible guilt, her conviction irrational in others' eyes that the murdered boy is the 'dirty kid', as well as making a mockery of her romantic image of the neighbourhood.

A startling opener to the collection. Part of the reason is that he's been telling tourists about the inn's dubious history as a police training academy during the dictatorship.

When the girls sneak into the inn at night, they get more than they bargained for. The Intoxicated Years Scenes from the lives of three girls children?

The most interesting stuff seems to be happening in the background, just out of reach. Maybe that's the point, but I found this one a bit of a dud.

Adela's House Little Carla and her year-old brother Pablo befriend Adela, a girl in their neighbourhood who was born with one arm and is an object of disgust and mockery for other kids at school.

After getting obsessed with gory movies, Pablo and Adela decide to explore a nearby abandoned house, bringing Carla along with them.

This is a superb tale of weirdness, dread and nameless horror. An Invocation of the Big-Eared Runt The protagonist works as a tour guide in Buenos Aires, telling tourists about the city's most famous serial killers but not its dictators, though they are the most prolific murderers of all.

Corporeal visions of a child killer become caught up with his resentment of his wife and newborn son. Spiderweb An unhappily married woman visits family in the 'humid north'.

Over the course of the trip, she becomes more and more convinced that she must leave her husband.

Throughout the story, characters tell tales of strange things that have happened to them: disappearing figures, disappearing houses, dreams and visions of disaster.

In the end, one of these strange incidents seems to befall the abhorred husband. Or is there a more ordinary, if just as horrifying, explanation?

What is the 'misunderstanding' spoken of at the end? End of Term When Marcela, a previously unremarkable girl, starts to harm herself in gruesome and very public ways, her entire class is transfixed.

The narrator is particularly fascinated — especially when Marcela tells her she sees and hears a man telling her to do these things.

This feels like it could be a spooky story for children. It's macabre and has an effective jump-scare moment, but is a little thin. No Flesh Over Our Bones This story somehow feels distinct from the others; it's less gritty and has a stronger sense of detachment from reality, while still retaining the darkness that pervades the whole collection.

To the disgust of her boyfriend and mother, the narrator brings home a toothless skull she finds in a pile of rubbish, naming it 'Vera', and becomes obsessed with it.

Perhaps the most important line comes close to the end: 'We all walk over bones in this city, it's just a question of making holes deep enough to reach the buried dead.

So there are multiple horrors here: mental illness; the anguish of not being seen or understood by someone who's supposed to love you; guilt; and the expected macabre twist — Paula sees a naked, filthy child chained up in the neighbour's courtyard, but when she tries to show Miguel, there's nothing to see.

Similar to 'The Inn', where the source of dread is emblematic of history but also stands for Florencia's fear of her sexuality, here the figure of the boy seems like a physical manifestation of Paula's depression.

Yet the ending subverts this. It's the opposite of 'Adela's House' — here the conclusive answer is the ultimate terror.

Under the Black Water Marina is a district attorney investigating what she suspects is a police cover-up. She's visited by a girl from the Villa Moreno slum who tells her Emanuel, presumed drowned, actually crawled out of the heavily polluted Riachuelo river alive, but 'changed'.

Chasing the truth behind this strange story, Marina goes to Villa Moreno herself, finding it oddly silent and watchful.

I'd have liked this to be longer, but it has a fantastic atmosphere and is so vivid. Of all the stories, this would make the best film.

Green Red Orange One of the weaker stories, this is the tale of a young man who locks himself in his room and refuses to come out. It's told from the perspective of a woman he talks to online — the only way he communicates with the outside world.

This itself is not particularly interesting, though there are some standout passages, particularly the episode of the teacher who invents a daughter.

Things We Lost in the Fire This could have come straight out of Camilla Grudova's The Doll's Alphabet , and it reminded me of her story 'Unstitching', in which women begin to shed their skins, and the act, performed en masse, comes to signify a sort of feminist revolution.

Here, the women of an unidentified city are seized by a craze for self-immolation, aiming to make themselves grotesque and undesirable — a subversion of an earlier spate of attacks on women by abusive partners.

The imagery is strong, but I found the message a bit heavy-handed, especially when compared with the more subtle symbolism of many of the preceding stories.

Feb 15, Marie rated it really liked it Shelves: argentina , bvc , netgalley , short-stories , horror. What a macabre, twisted way to get swept up in the life and culture of Argentina.

I love when I read books outside my usual genres and get blown away by them. These short stories invoke living nightmares and nightmarish creatures that dwell just below the surface of normal life and enter into these stories in unexpected ways.

There are ghosts of the past, horrific creatures, and a sense of the clairvoyance in these pages. Some of the descriptions within these stories brought to mind Stephen Wow!

The setting for these stories is in various cities in Argentina, including Buenos Aires, Lanus, and Corrientes. There is a sense of healing in the land, but there are horrors of the past lurking just beneath the surface.

Someone else in that story saw a ghost rising from the cement of a bridge, within which dead bodies must have been hidden. There are many common themes that wind their way through these stories creating interest and intrigue.

Many of the characters in these stories are depressed, sometimes overwhelmingly so to the point of not being able to work anymore, hurting themselves, and perhaps hallucinating.

He only opens his door when no one is there to get the food his mother has left him. He only communicates with an old girlfriend via chat from his computer where he becomes obsessed with the deep web, where he can find the most horrific things.

Another theme running through many of these stories is dissatisfaction with boyfriends or husbands. The boyfriends and husbands in these stories are not loved or desired by the protagonist.

They are depicted as being over-confident, arrogant, pig-headed and most importantly useless. The boyfriends or husbands end up disappearing or leaving by the end of each story.

The women then begin to burn themselves in protest creating a world of disfigured women. This is a very disturbing brutal ending to this collection of stories.

There is obvious social commentary within the pages of these stories. The author is definitely a feminist. She has an interesting way of depicting wealth versus poverty and sane versus mentally unstable.

She definitely delves into a world of darkness and demons, most of us do not think about. However, the greatest social commentary I feel is directed at the horrors of the Dirty War, and how the ghosts of that time still haunt the people of Argentina.

Each story, thrilling and terrifying, ends on a cliffhanger. You, the reader, are left not knowing, still wondering, what was truth and fiction, and where things will go from there.

I highly recommend this collection of short stories from a gifted and talented Argentinian writer! It will make the hair on your arms stand up.

Thank you to net galley, the publisher and the author for an ARC of this book in exchange for an honest review. View all 12 comments.

Dec 10, Melki rated it it was amazing Shelves: first-reads-giveaways , short-story-collections , best-of Wow - what a stunning collection of stories!

Though there are ghosts, monsters, and demons, I hesitate to attach the horror label, as these are not traditional horror stories.

Enriquez's tales do not gush blood, but there is a background noise of quiet dripping, a slow oozing away of precious bodily fluids.

Her work is subtly unnerving, delicately disturbing; you are coaxed gently into each story not knowing what to expect. Afterwards, you don't so much leave the tale as back away slowly, shaking Wow - what a stunning collection of stories!

Afterwards, you don't so much leave the tale as back away slowly, shaking your head, unable to forget what you've seen. I won an advance reading copy of this book through Goodread's First Reads Giveaways.

It's due to be released on February 21, Write that on your calendar. Preorder the book. And then, prepare yourself. View 2 comments.

Feb 21, lark benobi rated it it was amazing. I picked this up and read it through for a second time while waiting for Mouthful of Birds by another wonderful Argentinian author of the macabre, Samanta Schweblin.

It's just as wonderful the second time through. These stories feel both contemporary, and yet deeply connected with the magnificent stories of the macabre from past eras--stories that I have read over and over again, like The Monkey's Paw by Saki, and The Horla by de Maupassant, and The Most Dangerous Game by Connell, and anything ev I picked this up and read it through for a second time while waiting for Mouthful of Birds by another wonderful Argentinian author of the macabre, Samanta Schweblin.

These stories feel both contemporary, and yet deeply connected with the magnificent stories of the macabre from past eras--stories that I have read over and over again, like The Monkey's Paw by Saki, and The Horla by de Maupassant, and The Most Dangerous Game by Connell, and anything ever written by Poe.

What is different about Enriquez's stories--startlingly, shockingly, eye-opening-ly different--is how deeply they reflect a female perspective.

Female fears. Female dreads. I say "eye-opening" because I never really took time to feel how masculine these old stories are until I read Enriquez's stories.

I cut the old stories all kinds of slack because I read them as a child and they made me fall in love with reading. In many of my favorites, though, women might as well not exist--take "The Most Dangerous Game," a story about two men locked in a life-and-death battle for survival.

I loved every story here, which is unusual for me--typically I'll like one or two stories in a collection at most and then I'll get bored by the sameness on some level.

I was totally captivated by Enriquez's stories, and I'm delighted to have found a new contemporary author to follow. Definitely unique, this macabre collection of stories has a flavor to it that can't be denied.

Changing the street name to Main St and the characters of any given story to Joe and Jennifer would have done nothing to offset how culturally different these stories were.

I enjoyed that piece of it very much but many of the stories felt unfinished. Jun 21, Peter Boyle rated it liked it Shelves: short-stories. A small piece of advice: don't read this book before going to bed.

These grisly tales will surely haunt your dreams like they did mine - scenes full of grotesque, unstable characters where misfortune can strike at any moment.

The stories are set in a post-dictatorship Argentina and the state of the country is reflected in its run-down, crime-ridden backdrop.

The protagonists are mostly women and in many cases, they are visited by unwelcome apparitions. It is up to us to decide whether these spect A small piece of advice: don't read this book before going to bed.

It is up to us to decide whether these spectres are real or a product of the characters' mental condition. As is the case with many short-story collections, some of them worked for me, some of them didn't.

I felt like a couple of them ended too abruptly, relying on shock value to provoke a reaction. But others left a strong impression. Like Adela's House , where three kids enter a creepy ruin, and only two come out.

And The Neighbor's Courtyard , which has one of the most disturbing endings I have ever encountered. How much I actually enjoyed reading this book, it is hard to say.

But I won't be forgetting these nightmarish visions in a hurry. View all 7 comments. I couldn't have loved it more.

A heady mix of Gothic, weird, realism, and sociopolitics. There's a story that's a brilliant riff on Lovecraft as well. Now I anxiously await for more of her books to be translated.

Oct 21, Isabella rated it liked it Shelves: latinx-rep , covers-i-love , written-by-poc. The fact that all of these stories are set in Argentina only adds to the horror of it all.

A country that is still suffering through a post-dictatorship reality full of poverty, violence, drugs, murder, and children deformed by pollution.

With stories based around police brutality, domestic violence, and cults. Others border on more traditional horror based on haunted houses reminiscent of Shirley Jackson's Hill House and good old things that go bump in the night.

Even though I did find every story interesting, I can count the ones I truly enjoyed in one hand. Originally posted on A Skeptical Reader.

Things We Lost in the Fire is an excellent exploration of poverty, family, childhood, justice, and sex and sexuality; it continually tests the limits of human tolerance in all corners.

A difficult read for me as I grew up in a similar society with a startling similar view of life, still enjoying far more privileges then any of the characters of course, but it meant that I had to digest it in smaller bites.

It shook me a lot and flashed me back to my childhood in Mumbai and it's slums. It doesn't have a time period to clarify when it's set but it feels like a observation of post-dirty war period, although poverty will always be poverty no matter what time it is.

At the end, we failed just as much as the protagonist did. This has a bit of the unknown element and was good but not a favorite. I wanted it to explore more of Lila's narrative here because earlier we get a commentary on women being a woman's worst enemy and I wanted this statement to be further examined.

Another very strong story that shook me to my core. Given the choices between death and being a parent, women chose death because the mere idea of parentage has ceased to exist here.

Girls have to lock their doors at night for fear of assault or rape by their own 'family' and taking drugs is the only activity to be shared.

Political upheavals in the background continuously draw forward the urgencies within the characters to escape it all. The descriptions of dead children was difficult to swallow; the fact that Runt enjoyed the killing without the guilt is, much like the visitors in the story, difficult to comprehend.

This has a very unlikable protagonist that you find yourself sympathizing with at times. A longer one in the collection, it really keeps you flipping pages just to find out how this can possibly end.

I saw it as an expression of suppressed sexuality but with or without that interpretation, this is by far the least gloomy story.

Edit Cast Cast overview, first billed only: Halle Berry Audrey Burke Benicio Del Toro Jerry Sunborne David Duchovny Brian Burke Alexis Llewellyn Harper Burke Micah Berry Dory Burke John Carroll Lynch Howard Glassman Alison Lohman Kelly Robin Weigert Brenda Omar Benson Miller Neal Paula Newsome Diane Sarah Dubrovsky Spring Maureen Thomas Grandma Ginnie Burke Patricia Harras Howard's Wife V.

Edit Storyline Grief, recovery, and human contact. Genres: Drama. Edit Did You Know? Trivia Release prints were shipped to some theaters under the fake title "Water".

Goofs When Jerry meets Kelly, he unlocks his bike and turns it degrees, but when he rides away on the sidewalk, he is headed the original direction in which the bike was parked.

Quotes Audrey Burke : Why wasn't it you, Jerry? Why wasn't it you? Was this review helpful to you? Yes No Report this. Add the first question.

Language: English. Runtime: min. Color: Color. Edit page. November Streaming Picks. The relationship between Jerry and Audrey is fragile and complicated.

Jerry helps Audrey cope in many ways, including lying with her in bed to help her sleep. But Audrey, upset and confused, takes out her grief at Brian's death on Jerry.

She becomes angry when Jerry helps Dory overcome his fear of submerging his head in the pool; something Brian had tried to do for a few years.

Eventually her rudeness to Jerry causes him to move out and relapse with heroin. Audrey and Neal rescue and rehabilitate Jerry, and he agrees to admit himself to a specialized clinic.

At first Harper, who has come to love Jerry as much she did her father, is angry that he is leaving. But after he leaves her a heartfelt note she accepts that he is going.

Jerry is still struggling with his addiction but seems to be well on his way to recovery. He leaves red flowers on Audrey's doorstep with a note that reads "Accept the good," a phrase which Jerry himself had told Brian, and that Brian had subsequently said to Audrey many times.

The site's critical consensus reads, " Things We Lost in the Fire is a well-acted, beautifully filmed reflection on love, loss, addiction and recovery from life's obstacles.

Josh Rosenblatt of The Austin Chronicle gave the film 4 stars and said the film is "an impeccably constructed and perfectly paced drama of domestic and internal volatility.

For the rest of us, Bier's directorial tics are beginning to wear thin Claudia Puig of USA Today gave the film 3 stars out of 4 and said "The movie makes some missteps, most of them in pacing and length, and the story veers occasionally into melodrama, but it is saved by the powerful performance of Benicio del Toro", calling him "hypnotically watchable.

A Blu-ray version was released on March 24, From Wikipedia, the free encyclopedia.

Things We Lost In The Fire - Aktuelles Heft

Mai Lights Out. Todd McCarthy schrieb in der Zeitschrift Variety vom Toma Baqueni. Die Oscar-Preisträger Halle Berry und Benicio Del Toro spielen die Hauptrollen im Hollywood-Debüt "Eine neue Chance" der vielfach ausgezeichneten. These are the things, the things we lost The things we lost in the fire, fire, fire These are the things, the things we lost The things we lost in the fire, fire, fire. Niels Laupert. Geoff Grace. USAGB. Filmsuche Titel enthält. Things We Lost in the Ard Verpasste Sendung Rose Tremain. Slow West. Notting Hill. David Zellner. Things We Lost In The Fire

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Bastille - Things We Lost In The Fire (Official Music Video)

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